Baraboda by Lee Hak Jun

2024.03 ~04

Three Weeks of Travel, around Paris and French Rural Places...

J.S. Bach Organ Works

2023.10.03

Ref. https://en.wikipedia.org/wiki/List_of_organ_compositions_by_Johann_Sebastian_Bach

1. Six Sonatas (BWV 525-530)

BWV 525 – Sonata No. 1 in E-flat major

BWV 526 – Sonata No. 2 in C minor

BWV 527 – Sonata No. 3 in D minor

BWV 528 – Sonata No. 4 in E minor

BWV 529 – Sonata No. 5 in C major

BWV 530 – Sonata No. 6 in G major

2. In the forms of a Prelude, Toccata, Fantasia, Passacaglia, middle movement and.or Fugue (BWV 531-582)

• BWV 531 – Prelude and Fugue in C major
• BWV 532 – Prelude and Fugue in D major
• BWV 532a – Fugue in D major (alternative version of the fugue of BWV 532)
• BWV 533 – Prelude and Fugue in E minor ("Cathedral")
• BWV 533a – Prelude and Fugue in E minor (alternative version of BWV 533 without pedals)
• BWV 534 – Prelude and Fugue in F minor (doubtful)[3][4]
• BWV 535 – Prelude and Fugue in G minor
• BWV 535a – Prelude and Fugue in G minor (alternative version of BWV 535)
• BWV 536 – Prelude and Fugue in A major
• BWV 536a – Prelude and Fugue in A major (alternative version of BWV 536, possibly based on the original manuscript)[5]
• BWV 537 – Fantasia and Fugue in C minor
• BWV 538 – Toccata and Fugue in D minor ("Dorian")
• BWV 539 – Prelude and Fugue in D minor ("Fiddle") (uncertain[6])
• BWV 539a – Fugue in D minor (see BWV 1000 for the lute arrangement, movement 2 of BWV 1001 for the violin arrangement)
• BWV 540 – Toccata and Fugue in F major
• BWV 541 – Prelude and Fugue in G major
• BWV 542 – Fantasia and Fugue in G minor ("Great")
• BWV 542a – Fugue in G minor (alternative version of the fugue from BWV 542)
• BWV 543 – Prelude and Fugue in A minor
• BWV 544 – Prelude and Fugue in B minor
• BWV 545 – Prelude and Fugue in C major
• BWV 545a – Prelude and Fugue in C major (alternative version of BWV 545)
• BWV 545b – Prelude, Trio and Fugue in B-flat major (alternative version of BWV 545; the Trio is an arrangement of the finale of BWV 1029; some parts possibly by Johann Tobias Krebs)
• BWV 546 – Prelude and Fugue in C minor
• BWV 547 – Prelude and Fugue in C major ("9/8")
• BWV 548 – Prelude and Fugue in E minor ("Wedge")
• BWV 549 – Prelude and Fugue in C minor (performed on the organ of the Johanneskirche in Gießenⓘ)
• BWV 550 – Prelude and Fugue in G major
• BWV 551 – Prelude and Fugue in A minor
• BWV 552 – Prelude and Fugue in E-flat major ("St. Anne") (part of Clavier-Übung III)
• BWV 553 – Eight Short Preludes and Fugues – Prelude and Fugue in C major (spurious, possibly by Johann Tobias Krebs)[7]
• BWV 554 – Eight Short Preludes and Fugues – Prelude and Fugue in D minor (spurious, possibly by Johann Tobias Krebs)[7]
• BWV 555 – Eight Short Preludes and Fugues – Prelude and Fugue in E minor (spurious, possibly by Johann Tobias Krebs)[7]
• BWV 556 – Eight Short Preludes and Fugues – Prelude and Fugue in F major (spurious, possibly by Johann Tobias Krebs)[7]
• BWV 557 – Eight Short Preludes and Fugues – Prelude and Fugue in G major (spurious, possibly by Johann Tobias Krebs)[7]
• BWV 558 – Eight Short Preludes and Fugues – Prelude and Fugue in G minor (spurious, possibly by Johann Tobias Krebs)[7]
• BWV 559 – Eight Short Preludes and Fugues – Prelude and Fugue in A minor (spurious, possibly by Johann Tobias Krebs)[7]
• BWV 560 – Eight Short Preludes and Fugues – Prelude and Fugue in B-flat major (spurious, possibly by Johann Tobias Krebs)[7]
• BWV 561 – Fantasia and Fugue in A minor (spurious, possibly by Johann Christian Kittel)[8]
• BWV 562 – Fantasia and Fugue in C minor (fugue unfinished)
• BWV 563 – Fantasia in B minor (Fantasia and Imitatio) (spurious)
• BWV 564 – Toccata, Adagio and Fugue in C major
• BWV 565 – Toccata and Fugue in D minor
• BWV 566 – Toccata and Fugue in E major (also published in C major)
• BWV 566a – Toccata in E major (earlier version of BWV 566)
• BWV 567 – Prelude in C major (possibly by Johann Ludwig Krebs)[9]
• BWV 568 – Prelude in G major (doubtful)[9]
• BWV 569 – Prelude in A minor
• BWV 570 – Fantasia in C major
• BWV 571 – Fantasia (Concerto) in G major (spurious)
• BWV 572 – Fantasia in G major (Pièce d'Orgue)
• BWV 573 – Fantasia in C major (incomplete, from the 1722 Notebook for Anna Magdalena Bach)
• BWV 574 – Fugue in C minor (on a theme of Legrenzi)
• BWV 574a – Fugue in C minor (alternative version of BWV 574)
• BWV 574b – Fugue in C minor (alternative version of BWV 574)
• BWV 575 – Fugue in C minor
• BWV 576 – Fugue in G major (doubtful)[10]
• BWV 577 – Fugue in G major à la Gigue (doubtful)[11]
• BWV 578 – Fugue in G minor ("Little")
• BWV 579 – Fugue in B minor (on a theme by Corelli, from Op. 3, No. 4)
• BWV 580 – Fugue in D major (doubtful)[12]
• BWV 581 – Fugue in G major (not by Bach, composed by Gottfried August Homilius)
• BWV 582 – Passacaglia and Fugue in C minor

3. Trios (BWV 583-586)

• BWV 583 – Trio in D minor (spurious, possibly a transcription of a chamber trio by another composer)[13]
• BWV 584 – Trio in G minor (spurious, a version of BWV 166/2 or another, lost, aria)
• BWV 585 – Trio in C minor (spurious, after Johann Friedrich Fasch)
• BWV 586 – Trio in G major (spurious, possibly after Georg Philipp Telemann)

4. Miscellaneous Pieces (BWV 587-591)

• BWV 587 – Aria in F major (spurious, after François Couperin)
• BWV 588 – Canzona in D minor
• BWV 589 – Allabreve in D major
• BWV 590 – Pastorella in F major (first movement probably incomplete)
• BWV 591 – Little Harmonic Labyrinth (Kleines harmonisches Labyrinth) (spurious, possibly by Johann David Heinichen)

5. Concertos (BWV 592-597)

• BWV 592 – Concerto in G major (after a concerto by Prince Johann Ernst of Saxe-Weimar)
• BWV 592a – Concerto in G major (an arrangement of BWV 592 for harpsichord)
• BWV 593 – Concerto in A minor (after Antonio Vivaldi's Concerto for two violins, Op. 3 No. 8, RV 522)
• BWV 594 – Concerto in C major (after Antonio Vivaldi's Grosso mogul violin concerto, RV 208)
• BWV 595 – Concerto in C major (after a concerto by Prince Johann Ernst of Saxe-Weimar)
• BWV 596 – Concerto in D minor (after Antonio Vivaldi's Concerto for two violins and cello, Op. 3 No. 11, RV 565)
• BWV 597 – Concerto in E-flat major (doubtful)

6. Pedal exercise (BWV 598)

BWV 598 – Pedal-Exercitium ("Pedal Exercise") in G minor (fragment, authorship uncertain, presumably by Carl Philipp Emanuel Bach)

7. Chorale Preludes (BWV 599-771)

Orgelbüchlein (Little Organ Book, BWV 599–644)[edit]

Main article: Orgelbüchlein

The Orgelbüchlein contains 46 chorale preludes, and a fragment (BWV Anh. 200).

• Advent

1. BWV 599 – Nun komm, der Heiden Heiland
2. BWV 600 – Gott durch deine Güte (or) Gottes Sohn ist kommen
3. BWV 601 – Herr Christ, der ein'ge Gottes Sohn (or) Herr Gott, nun sei gepreiset (also in the Neumeister Collection)
4. BWV 602 – Lob sei dem allmächtigen Gott

• Christmas

1. BWV 603 – Puer natus in Bethlehem
2. BWV 604 – Gelobet seist du, Jesu Christ
3. BWV 605 – Der Tag, der ist so freudenreich
4. BWV 606 – Vom Himmel hoch, da komm ich her
5. BWV 607 – Vom Himmel kam der Engel Schar
6. BWV 608 – In dulci jubilo
7. BWV 609 – Lobt Gott, ihr Christen, allzugleich
8. BWV 610 – Jesu, meine Freude
9. BWV 611 – Christum wir sollen loben schon
10. BWV 612 – Wir Christenleut'

• New Year

1. BWV 613 – Helft mir Gottes Güte preisen
2. BWV 614 – Das alte Jahr vergangen ist
3. BWV 615 – In dir ist Freude

• Epiphany

1. BWV 616 – Mit Fried und Freud ich fahr dahin
2. BWV 617 – Herr Gott, nun schleuß den Himmel auf

• Lent

1. BWV 618 – O Lamm Gottes, unschuldig
2. BWV 619 – Christe, du Lamm Gottes
3. BWV 620 – Christus, der uns selig machtBWV 620a – Christus, der uns selig macht (older version)
4. BWV 621 – Da Jesus an dem Kreuze stund
5. BWV 622 – O Mensch, bewein dein Sünde groß
6. BWV 623 – Wir danken dir, Herr Jesu Christ
7. BWV 624 – Hilf Gott, daß mir's gelinge

• Easter

1. BWV 625 – Christ lag in Todesbanden
2. BWV 626 – Jesus Christus, unser Heiland, der den Tod überwand
3. BWV 627 – Christ ist erstanden
4. BWV 628 – Erstanden ist der heil'ge Christ
5. BWV 629 – Erschienen ist der herrliche Tag
6. BWV 630 – Heut triumphieret Gottes Sohn

• Pentecost

1. BWV 631 – Komm, Gott Schöpfer, Heiliger GeistBWV 631a – Komm, Gott Schöpfer, Heiliger Geist (older version)
2. BWV 632 – Herr Jesu Christ, dich zu uns wend'
3. BWV 634 – Liebster Jesu, wir sind hier (earlier version of BWV 633)
4. BWV 633 – Liebster Jesu, wir sind hier

• Catechism hymns

1. BWV 635 – Dies sind die heil'gen zehn Gebot'
2. BWV 636 – Vater unser im Himmelreich
3. BWV 637 – Durch Adams Fall ist ganz verderbt
4. BWV 638 – Es ist das Heil uns kommen her

• Miscellaneous

1. BWV 639 – Ich ruf zu dir, Herr Jesu Christ (also in the Neumeister Collection)
2. BWV 640 – In dich hab ich gehoffet, Herr
3. BWV 641 – Wenn wir in höchsten Nöten sein
4. BWV 642 – Wer nur den lieben Gott läßt walten
5. BWV 643 – Alle Menschen müssen sterben
6. BWV 644 – Ach wie nichtig, ach wie flüchtig

Schübler Chorales (BWV 645–650)[edit]

See also: Schübler Chorales and List of compositions by Johann Sebastian Bach printed during his lifetime § Schübler Chorales

Most of the Schübler Chorales, which were published around 1748 as Sechs Chorale von verschiedener Art (Six Chorales of Various Kinds), are transcriptions of extant cantata movements:

1. BWV 645 – Wachet auf, ruft uns die Stimme
2. BWV 646 – Wo soll ich fliehen hin (or) Auf meinen lieben Gott
3. BWV 647 – Wer nur den lieben Gott läßt walten
4. BWV 648 – Meine Seele erhebt den Herren
5. BWV 649 – Ach, bleib bei uns, Herr Jesu Christ
6. BWV 650 – Kommst du nun, Jesu, vom Himmel herunter

Great Eighteen Chorale Preludes, a.k.a. Leipzig Chorales (BWV 651–668)[edit]

Main article: Great Eighteen Chorale Preludes

1. BWV 651 – Fantasia super: Komm, Heiliger Geist, Herre GottBWV 651a – Fantasia (Präludium) super: Komm, Heiliger Geist, Herre Gott (ältere, Weimarer Fassung)
2. BWV 652 – Komm, Heiliger Geist, Herre GottBWV 652a – Komm, Heiliger Geist, Herre Gott (ältere, Weimarer Fassung)
3. BWV 653 – An Wasserflüssen BabylonBWV 653a – An Wasserflüssen Babylon alio modo a 4 (ältere, Weimarer Fassung)BWV 653b – An Wasserflüssen Babylon (Weimarer Urfassung)
4. BWV 654 – Schmücke dich, o liebe SeeleBWV 654a – Schmücke dich, o liebe Seele (ältere, Weimarer Fassung)
5. BWV 655 – Trio super: Herr Jesu Christ, dich zu uns wendBWV 655a – Trio super: Herr Jesu Christ, dich zu uns wend (ältere, Weimarer Fassung)BWV 655b – Herr Jesu Christ, dich zu uns wendBWV 655c – Herr Jesu Christ, dich zu uns wend
6. BWV 656 – O Lamm Gottes, unschuldigBWV 656a – O Lamm Gottes, unschuldig (ältere, Weimarer Fassung)
7. BWV 657 – Nun danket alle Gott (Leuthen Chorale) (ältere Weimarer und Leipziger Fassung)
8. BWV 658 – Von Gott will ich nicht lassenBWV 658a – Fantasia super: Von Gott will ich nicht lassen (ältere, Weimarer Fassung)
9. BWV 659 – Nun komm, der Heiden HeilandBWV 659a – Fantasia super: Nun komm, der Heiden Heiland (ältere, Weimarer Fassung)
10. BWV 660 – Trio super: Nun komm, der Heiden HeilandBWV 660a – Nun komm, der Heiden Heiland (ältere, Weimarer Fassung)BWV 660b – Nun komm, der Heiden Heiland
11. BWV 661 – Nun komm, der Heiden HeilandBWV 661a – Nun komm, der Heiden Heiland (ältere, Weimarer Fassung)
12. BWV 662 – Allein Gott in der Höh' sei Ehr'BWV 662a – Allein Gott in der Höh' sei Ehr' (ältere, Weimarer Fassung)
13. BWV 663 – Allein Gott in der Höh' sei Ehr'BWV 663a – Allein Gott in der Höh' sei Ehr' (ältere, Weimarer Fassung)
14. BWV 664 – Trio super: Allein Gott in der Höh' sei Ehr'BWV 664a/b – Trio super: Allein Gott in der Höh' sei Ehr' (ältere Weimarer Fassung/Entwurf)
15. BWV 665 – Jesus Christus, unser HeilandBWV 665a – Jesus Christus, unser Heiland (in organo pleno) (ältere, Weimarer Fassung)
16. BWV 666 – Jesus Christus, unser Heiland (alio modo)BWV 666a – Jesus Christus, unser Heiland (ältere, Weimarer Fassung)
17. BWV 667 – Komm, Gott Schöpfer, heiliger GeistBWV 667a/b – Komm, Gott Schöpfer, heiliger Geist (ältere, Weimarer Fassungen)
18. BWV 668 – Vor deinen Thron tret' ich (Fragment)BWV 668a – Wenn wir in höchsten Nöten sein (Diktatschrift: Fragment)

Chorale preludes in Clavier-Übung III (BWV 669–689)[edit]

Main article: Clavier-Übung III § Chorale preludes BWV 669–689

• Kyrie (three stanzas of "Kyrie, Gott Vater in Ewigkeit"):
• "Allein Gott in der Höh' sei Ehr'" (Gloria):
• "Dies sind die heilgen zehn Gebot" (Ten Commandments):
• "Wir glauben all an einen Gott" (Credo):
• "Vater unser im Himmelreich" (Lord's Prayer):
• "Christ unser Herr zum Jordan kam" (Baptism):
• "Aus tiefer Not schrei ich zu dir" (Penitence):
• "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" (Lord's Supper):

24 chorale preludes, formerly known as "from the Kirnberger collection" (BWV 690–713)[edit]

The 24 chorale preludes and five variants published as "from the Kirnberger Collection" ("in Kirnberger's Sammlung") in the 40th volume of the Bach-Gesellschaft Ausgabe (1893) were all retained in the 690–713a range of the Bach-Werke-Verzeichnis. Johann Kirnberger's involvement with this collection of chorale preludes, some of which are spurious or doubtful, is however uncertain: modern scholarship no longer refers to this set as "Kirnberger Collection" (unless with qualifiers such as "so-called" or "formerly").[20]

1. BWV 690 – Wer nur den lieben Gott läßt walten
2. BWV 691 – Wer nur den lieben Gott läßt walten (manuals only; No. 11 in the 1725 Notebook for Anna Magdalena Bach, No. 3 in the Klavierbüchlein für Wilhelm Friedemann Bach)BWV 691a – Wer nur den lieben Gott läßt walten (doubtful variant of BWV 691)[21]
3. BWV 692 – Ach, Gott und Herr (spurious: composed by Johann Gottfried Walther)[22]BWV 692a – Ach, Gott und Herr (spurious early version of BWV 692: composed by Johann Gottfried Walther)[23]
4. BWV 693 – Ach, Gott und Herr (spurious: composed by Johann Gottfried Walther)[24]
5. BWV 694 – Wo soll ich fliehen hin
6. BWV 695 – Fantasia super: Christ lag in Todesbanden (manuals only)BWV 695a – Christ lag in Todesbanden (doubtful variant of BWV 695)[25]
7. BWV 696 – Christum wir sollen loben schon (or) Was fürchtest du Feind, Herodes, sehr (fughetta; manuals only)
8. BWV 697 – Gelobet seist du, Jesu Christ (fughetta; manuals only)
9. BWV 698 – Herr Christ, der ein'ge Gottes-Sohn (fughetta; manuals only)
10. BWV 699 – Nun komm, der Heiden Heiland (fughetta; manuals only)
11. BWV 700 – Vom Himmel hoch, da komm' ich her
12. BWV 701 – Vom Himmel hoch, da komm' ich her (fughetta, manuals only)
13. BWV 702 – Das Jesulein soll doch mein Trost (fughetta)
14. BWV 703 – Gottes-Sohn ist kommen (fughetta, manuals only)
15. BWV 704 – Lob sei dem allmächtigen Gott (fughetta, manuals only)
16. BWV 705 – Durch Adams Fall ist ganz verderbt
17. BWV 706 – Liebster Jesu, wir sind hier
18. BWV 707 – Ich hab' mein' Sach' Gott heimgestellt
19. BWV 708 – Ich hab' mein' Sach' Gott heimgestelltBWV 708a – Ich hab' mein' Sach' Gott heimgestellt (variant of BWV 708)
20. BWV 709 – Herr Jesu Christ, dich zu uns wend'
21. BWV 710 – Wir Christenleut habn jetzund Freud
22. BWV 711 – Allein Gott in der Höh' sei Ehr'
23. BWV 712 – In dich hab' ich gehoffet, Herr (manuals only; performed on Roland C-330ⓘ)
24. BWV 713 – Jesu, meine Freude (manuals only)BWV 713a – Jesu, meine Freude (Fantasia, doubtful variant of BWV 713)[26]

Miscellaneous chorale preludes (BWV 714–765)[edit]

• BWV 714 – Ach Gott und Herr (also in the Neumeister Collection)
• BWV 715 – Allein Gott in der Höh sei Ehr
• BWV 716 – Fuga super Allein Gott in der Höh sei Ehr
• BWV 717 – Allein Gott in der Höh sei Ehr'
• BWV 718 – Christ lag in Todesbanden [scores] (chorale fantasia)[27]
• BWV 719 – Der Tag, der ist so freudenreich (also in the Neumeister Collection)
• BWV 720 – Ein feste Burg ist unser Gott
• BWV 721 – Erbarm dich mein, o Herre Gott
• BWV 722 – Gelobet seist du, Jesu Christ
• BWV 723 – Gelobet seist du, Jesu Christ (also in the Neumeister Collection; likely by Johann Michael Bach)
• BWV 724 – Gott, durch deine Güte (Gottes Sohn ist kommen)
• BWV 725 – Herr Gott, dich loben wir
• BWV 726 – Herr Jesu Christ, dich zu uns wend (audioⓘ)
• BWV 727 – Herzlich tut mich verlangen
• BWV 728 – Jesus, meine Zuversicht (from the 1722 Notebook for Anna Magdalena Bach)
• BWV 729 – In dulci jubilo
• BWV 730 – Liebster Jesu, wir sind hier
• BWV 731 – Liebster Jesu, wir sind hier
• BWV 732 – Lobt Gott, ihr Christen, allzugleich
• BWV 733 – Fuga sopra il Magnificat (Meine Seele erhebt den Herren, a.k.a. German Magnificat – possibly composed by Bach's pupil Johann Ludwig Krebs; performed on the Herbst organ of the Schlosskirche in Lahmⓘ)[28][29]
• BWV 734 – Nun freut euch, lieben Christen g'mein/Es ist gewisslich an der Zeit
• BWV 735 – Valet will ich dir geben
• BWV 736 – Valet will ich dir geben
• BWV 737 – Vater unser im Himmelreich (also in the Neumeister Collection)
• BWV 738 – Von Himmel hoch, da komm' ich her
• BWV 738a – Von Himmel hoch, da komm' ich her
• BWV 739 – Wie schön leuchtet der Morgenstern
• BWV 740 – Wir glauben all' an einen Gott, Vater (spurious, partly attributed to Johann Tobias Krebs)[30]
• BWV 741 – Ach Gott, von Himmel sieh' darein
• BWV 742 – Ach Herr, mich armen Sünder (also in the Neumeister Collection)
• BWV 743 – Ach, was ist doch unser Leben
• BWV 744 – Auf meinen lieben Gott (not by Bach, possibly by Johann Tobias Krebs)
• BWV 745 – Aus der Tiefe rufe ich (not by Bach, composed by Carl Philipp Emanuel Bach)
• BWV 746 – Christ ist erstanden (not by Bach, composed by Johann Caspar Ferdinand Fischer)
• BWV 747 – Christus, der uns selig macht
• BWV 748 – Gott der Vater wohn' uns bei (not by Bach, composed by Johann Gottfried Walther)
• BWV 748a – Gott der Vater wohn' uns bei
• BWV 749 – Herr Jesu Christ, dich zu uns wend' (attribution doubtful)[31]
• BWV 750 – Herr Jesu Christ, mein's Lebens Licht (attribution doubtful)[32]
• BWV 751 – In dulci jubilo (also in the Neumeister Collection; spurious: likely by Johann Michael Bach or possibly by Johann Gottfried Walther)
• BWV 752 – Jesu, der du meine Seele (attribution doubtful)[33]
• BWV 753 – Jesu, meine Freude (incomplete)
• BWV 754 – Liebster Jesu, wir sind hier (attribution doubtful)[34]
• BWV 755 – Nun freut euch, lieben Christen
• BWV 756 – Nun ruhen alle Wälder (attribution doubtful)[35]
• BWV 757 – O Herre Gott, dein göttlich's Wort
• BWV 758 – O Vater, allmächtiger Gott
• BWV 759 – Schmücke dich, o liebe Seele (not by Bach, composed by Gottfried August Homilius)[36]
• BWV 760 – Vater unser im Himmelreich (not by Bach, composed by Georg Böhm)[37]
• BWV 761 – Vater unser im Himmelreich (not by Bach, composed by Georg Böhm)[38]
• BWV 762 – Vater unser im Himmelreich (attribution doubtful)[39]
• BWV 763 – Wie schön leuchtet der Morgenstern
• BWV 764 – Wie schön leuchtet der Morgenstern (incomplete)
• BWV 765 – Wir glauben all' an einen Gott

Chorale partitas (BWV 766–768)[edit]

• BWV 766 – Chorale partita Christ, der du bist der helle Tag
• BWV 767 – Chorale partita O Gott, du frommer Gott
• BWV 768 – Chorale partita Sei gegrüsset, Jesu gütig

Canonic Variations[edit]

Main article: Canonic Variations on "Vom Himmel hoch da komm' ich her"

• BWV 769 – Canonic Variations on "Vom Himmel hoch da komm' ich her"
• BWV 769a – Canonic Variations on "Vom Himmel hoch da komm' ich her" (alternative version of BWV 769)

Chorale variations BWV 770-771[edit]

• BWV 770 – Chorale variations "Ach, was soll ich Sünder machen"
• BWV 771 – Chorale variations "Allein Gott in der Höh' sei Ehr'" (not by Bach, possibly by Andreas Nicolaus Vetter)[40]

Also known in a version for keyboard (BWV 957)[edit]

See also: List of keyboard and lute compositions by Johann Sebastian Bach § Fugues and fughettas (944–962), and Neumeister Collection

• BWV 957 – Machs mit mir, Gott, nach deiner Güt (chorale prelude for organ in the Neumeister Collection, previously listed as Fugue in G major)

A. Early Quartets (age 27~30)
 
Opus 18

• No. 1 in F major
• No. 2 in G major
• No. 3 in D major - lighter than the others
• No. 4 in C minor
• No. 5 in A major
• No. 6 in B♭ major - the 4th movement [melancholy] 

 
 
B. Middle Quartets (age 35~40)
 
Opus 59 (Rasumovsky)

• No. 7 in F major
• No. 8 in E minor
• No. 9 in C major

 
Razumovskys ; the Russian ambassador in Vienna, Count (later Prince) Razumovsky, himself an accomplished musician who played second violin in his own quartet. For his benefit Beethoven includes Russian themes in the first two of the set.
 
Other Middle Period Quartets

• No. 10 in E♭ major, Op. 74 (Harp) - the plucked strings in the first movement…the lighter of the two, but no less characteristic of Beethoven for that. Its final movement is a theme and variations, a form much loved by Beethoven and one he usually reserved for the piano
• No. 11 in F minor, Op. 95 (Serioso) - a masterpiece in compression from the first bar onwards, and certainly a foretaste of what is to come in the final set of Quartets.

 
 
C. Late Quartets (age 54~56)

• No. 12 in E♭ major, Op. 127
• No. 13 in B♭ major, Op. 130 - the Cavatina…Even more remarkable, in my view, is the slow movement of Op.130, the Cavatina. It is utterly beautiful, even if you have no idea what is happening in Beethoven’s life. Over a gently pulsating rhythm from the three lower strings, the first violin sobs. In the fragmented notes there is anguish and despair…The original final movement of op.130 was the Grosse Fuge, a massive movement that is clearly too massive and unwieldy to sit at the end of the preceding five.
• No. 14 in C♯ minor, Op. 131 - It is said that upon listening to a performance of this quartet Schubert remarked, "After this, what is left for us to write?"[2] Schumann said that this quartet and Op. 127 had a "grandeur ... which no words can express. They seem to me to stand ... on the extreme boundary of all that has hitherto been attained by human art and imagination."
• No. 15 in A minor, Op. 132 Große Fuge, Op. 133 - Sacred Song of Thanksgiving from a Convalescent to the Deity, in the Lydian Mode…Beethoven recovered, but knew he had come close to death. That is what lies behind this extraordinary movement of op.132.
• No. 16 in F major, Op. 135 - ..listen to the slow movement of the final String Quartet, op.135. Simply beautiful. Beautifully simple..

 
 
 
 
 
Ref.
1. https://en.wikipedia.org/wiki/Category:String_quartets_by_Ludwig_van_Beethoven
2. https://www.classicfm.com/composers/beethoven/guides/beethovens-music-string-quartets/

3. https://en.m.wikipedia.org/wiki/String_Quartet_No._14_(Beethoven)

어릴때는 주로 LP, Tape, 그리고 CD로 음악을 모으고 감상했다.

이젠 디지털 시대로 들어 오면서 위 세가지 형식이 서로 한시대를 풍미 했던 것처럼

'무손실 음악'파일을 통한 음악 감상의 시대가 열리고 이 또한 한 세상을 구가 하는 듯...

음악파일이 쌓여 가면서 이 앨범들을 하드디스크에 어떻게 저장해야 효율적인가 고민의 시간과 

시행착오 끝에 내가 만들어 적용하는 규칙

1. 클래식음악 

크게 작곡가와 연주가 두가지로 분류

1) 작곡가 - 작품명 - 연주가 (Label 발매년도 음질 등등)

예시) Bach - BWV 1027-1029 - Gustav Leonhardt (fin 2023 24-44)

* 작곡가의 작품이 중심인 앨범들

2) 연주가 - 앨범명 (Label 발매년도 음질 등등)

예시) Davis Brooks - Lines from Poetry (ablaze 2023 24-48)

* 연주가가 중심이 되어 여러 작곡가의 작품을 수록(연주)하여 제작된 앨범

2. 기타 재즈, 팝 등의 음악

앨범 성격상 대부분 연주자 위주의 앨범으로 분류됨

연주자 - 앨범명 (Label 발매년도 음질)

예시) The Beatles - Sgt. Pepper's Lonely Hearts Club Band [50th ASDE] (2017)

Reinhard Goebel (German: [ˈɡøːbəl]; born 31 July 1952 in Siegen, West Germany) is a German conductor and violinist specialising in early music on authentic instruments and professor for historical performance at the Mozarteum in Salzburg. Goebel received his first violin lessons at the age of twelve. He studied the violin with Franzjosef Maier [de; fr], the leader of the Collegium Aureum, Saschko Gawriloff, an expert in difficult modern scores, and baroque violinists Marie Leonhardt [de; fr] in The Hague and Eduard Melkus in Vienna.

In 1973 Goebel founded his early music ensemble Musica Antiqua Köln that he led until its dissolution in 2007. He has been an important figure in early music and, for example, was instrumental in rediscovering the music of composers such as Marc-Antoine Charpentier and the Dresden court composers Johann David Heinichen and Jan Dismas Zelenka.

(from wikipedia)

(from https://www.bach-cantatas.com/)

2021.03. 서호시장