A. Early Quartets (age 27~30)
 
Opus 18

 
 
B. Middle Quartets (age 35~40)
 
Opus 59 (Rasumovsky)

 
Razumovskys ; the Russian ambassador in Vienna, Count (later Prince) Razumovsky, himself an accomplished musician who played second violin in his own quartet. For his benefit Beethoven includes Russian themes in the first two of the set.
 
Other Middle Period Quartets

  • No. 10 in E major, Op. 74 (Harp) - the plucked strings in the first movement…the lighter of the two, but no less characteristic of Beethoven for that. Its final movement is a theme and variations, a form much loved by Beethoven and one he usually reserved for the piano
  • No. 11 in F minor, Op. 95 (Serioso) - a masterpiece in compression from the first bar onwards, and certainly a foretaste of what is to come in the final set of Quartets.

 
 
C. Late Quartets (age 54~56)

  • No. 12 in E major, Op. 127
  • No. 13 in B major, Op. 130 - the Cavatina…Even more remarkable, in my view, is the slow movement of Op.130, the Cavatina. It is utterly beautiful, even if you have no idea what is happening in Beethoven’s life. Over a gently pulsating rhythm from the three lower strings, the first violin sobs. In the fragmented notes there is anguish and despair…The original final movement of op.130 was the Grosse Fuge, a massive movement that is clearly too massive and unwieldy to sit at the end of the preceding five.
  • No. 14 in C minor, Op. 131 - It is said that upon listening to a performance of this quartet Schubert remarked, "After this, what is left for us to write?"[2] Schumann said that this quartet and Op. 127 had a "grandeur ... which no words can express. They seem to me to stand ... on the extreme boundary of all that has hitherto been attained by human art and imagination."
  • No. 15 in A minor, Op. 132 Große Fuge, Op. 133 - Sacred Song of Thanksgiving from a Convalescent to the Deity, in the Lydian Mode…Beethoven recovered, but knew he had come close to death. That is what lies behind this extraordinary movement of op.132.
  • No. 16 in F major, Op. 135 - ..listen to the slow movement of the final String Quartet, op.135. Simply beautiful. Beautifully simple..

 
 
 
 
 
Ref.
1. https://en.wikipedia.org/wiki/Category:String_quartets_by_Ludwig_van_Beethoven
2. https://www.classicfm.com/composers/beethoven/guides/beethovens-music-string-quartets/

Beethoven's String Quartets: John Suchet's guide to the music

If Haydn is today called the ‘father’ of the String Quartet, and Mozart took the form to new heights, then Beethoven – characteristically – took hold of it and completely transformed it.

www.classicfm.com

3. https://en.m.wikipedia.org/wiki/String_Quartet_No._14_(Beethoven)

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어릴때는 주로 LP, Tape, 그리고 CD로 음악을 모으고 감상했다.

이젠 디지털 시대로 들어 오면서 위 세가지 형식이 서로 한시대를 풍미 했던 것처럼

'무손실 음악'파일을 통한 음악 감상의 시대가 열리고 이 또한 한 세상을 구가 하는 듯...

음악파일이 쌓여 가면서 이 앨범들을 하드디스크에 어떻게 저장해야 효율적인가 고민의 시간과 

시행착오 끝에 내가 만들어 적용하는 규칙

1. 클래식음악 

크게 작곡가와 연주가 두가지로 분류

 

1) 작곡가 - 작품명 - 연주가 (Label 발매년도 음질 등등)

예시) Bach - BWV 1027-1029 - Gustav Leonhardt (fin 2023 24-44)

* 작곡가의 작품이 중심인 앨범들

 

2) 연주가 - 앨범명 (Label 발매년도 음질 등등)

예시) Davis Brooks - Lines from Poetry (ablaze 2023 24-48)

* 연주가가 중심이 되어 여러 작곡가의 작품을 수록(연주)하여 제작된 앨범

 

2. 기타 재즈, 팝 등의 음악

앨범 성격상 대부분 연주자 위주의 앨범으로 분류됨

연주자 - 앨범명 (Label 발매년도 음질)

예시) The Beatles - Sgt. Pepper's Lonely Hearts Club Band [50th ASDE] (2017)

Reinhard Goebel (German: [ˈɡøːbəl]; born 31 July 1952 in Siegen, West Germany) is a German conductor and violinist specialising in early music on authentic instruments and professor for historical performance at the Mozarteum in Salzburg. Goebel received his first violin lessons at the age of twelve. He studied the violin with Franzjosef Maier [de; fr], the leader of the Collegium Aureum, Saschko Gawriloff, an expert in difficult modern scores, and baroque violinists Marie Leonhardt [de; fr] in The Hague and Eduard Melkus in Vienna.

In 1973 Goebel founded his early music ensemble Musica Antiqua Köln that he led until its dissolution in 2007. He has been an important figure in early music and, for example, was instrumental in rediscovering the music of composers such as Marc-Antoine Charpentier and the Dresden court composers Johann David Heinichen and Jan Dismas Zelenka.

(from wikipedia)

 

Reinhard Goebel (Conductor, Violin)
Born: July 31, 1952 - Siegen, Westfalen, Germany
The German conductor and violinist, Reinhard Goebel, after leaving school, studied vioolin at the Cologne Conservatory with Franzjosef Maier, then with Saschko Gawriloff at the Folkwangschule in Essen, followed by an intensive course of study with Eduard Melkus and several years under the guidance of Marie Leonhardt. In addition, he studied musicology for several years at Cologne University.

In 1973, after pursuing musicology studies for several years at Cologne University, Reinhard Goebel founded the instrumental ensemble Musica Antiqua Köln, initially made up of fellow students from the Cologne Conservatory. It was here that he laid the foundations of his immense knowledge of early music, a knowledge that is amply reflected in his ensemble's concerts and recordings. Since that time, he has performed with the ensemble as both solo violinist and director, and has established himself as one of the leading exponents of Baroque historical performance practice. Actually, Reinhard Goebel and Musica Antiqua Köln have played an unprecedented role in increasing general awareness and knowledge of Baroque music. In 1979, the ensemble gained an international reputation with its debut at London's Queen Elizabeth Hall during the annual English Bach Festival. After unexplained paralysis struck his right hand, Goebel abandoned his career as a solo violinist, although he continued to play with his group, bowing the violin with his left hand.

Reinhard Goebel has an extensive discography for Archiv Produktion and has helped revive interest in the music of several previously under-performed German composers of the 17th and 18th centuries, such as Johann David Heinichen, Schmelzer, Biber, and members of the Bach family. His recordings have won numerous awards: the Deutscher Schallplattenpreis in 1981 and 1982 (for chamber concertos by Telemann and German Chamber Music Before Bach, respectively); the Grand Prix International du Disque in 1987 (for The Bach Family Before Johann Sebastian); the Grand Prix National du Disque in 1984 (for François Couperin's Les Nations); the Gramophone Award in 1984 (for chamber music by J.S. Bach); and the CD Compact Award in 1990 (for Telemann's Tafelmusik). Goebel's recording of J.D. Heinichen's Dresden Concerti won five important awards: the Jahrespreis der Deutschen Schallplattenkritik in 1993, the Gramophone Award in 1993, the Prix Caecilia in 1993, the Schallplattenpreis Echo-Klassik in 1994, and the CD Compact Award in 1994.

(from https://www.bach-cantatas.com/)

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2021. 2.

 

 

 

 

 

 

 

 

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